Aleksander ist das dokumentarische Pendant zum vorhergehenden Spielfilm Z daleka widok jest piękny und begleitet eine Kleinbauernfamilie bei ihrem täglichen und jahreszeitlichen Auskommen. Irgendwo im Nirgendwo zwischen zwei polnischen Großstädten angesiedelt, schrammen diese „Modernisierungsverlierer“ gerade so an der Armut vorbei. Die Lebensbedingungen sind hart und trotz der andauernden Geschäftigkeit verändert, verbessert sich nichts. Man geht dem bäuerlichen Arbeitszyklus auf einem kleinen Acker nach, handelt dazwischen ein wenig mit Autoteilen und am und rund ums Haus gibt es auch immer etwas zu reparieren. Trotz dieser Lage stellt sich die Familie mit beeindruckendem Gleichmut und fester Entschlossenheit jeglichen Herausforderungen. Obwohl sie anfangs ob der Anwesenheit des Filmteams und der Kamera noch unsicher scheinen, fügt sich am Ende alles in diese ganz eigene Realität und deren Rhythmus ein. (Claudia Slanar)

Thirty minutes is all it takes to get to the village from our house. Forty kilometers. At first, it was a long journey to a place where chaos reigns even though the days pass quietly, where people don’t have work even though they’re always busy with something, and nothing ever changes. We had been making that journey for two years. We filmed a diary of these trips. […] We had a plan, with clear-cut roles for ourselves and them, and a camera we could hide behind. One day, it turned out that the camera no longer separated us, that our heroes stopped noticing it. And then we got so close that we couldn’t help but succumb to this reality. This film is about us, too. (Anka Sasnal, AAVE – Alternative AudioVisual Event) Aleksander is filmed in a little village in the south of Poland situated half way between Tarnów and Kraków. The Sasnals came across this village when they did a photoreconnaissance for their first film It Looks Pretty From a Distance.

Director's Biography
ANKA SASNAL, born in 1973 in Tarnów in Poland, studied Polish literature and gender studies. As a screenwriter, editor, and filmmaker, she lives in Kraków together with Wilhelm Sasnal, who was also born in Tarnów in 1972 and studied architecture and painting.  WILHELM SASNAL attracted international attention as a visual artist with a series of solo and group exhibitions in renowned international galleries and art institutions with paintings, comic books, drawings, photographs, and videos. From the first joint film project onwards, significant characteristics of their artistic collaboration are already visible: the intensive focus on language, texts, and literary models, which they transform into an image language that suits them. An explicit political stance can be noted in their films – thematically Anka and Wilhelm Sasnal circle around the current state of Polish society, rising xenophobia, the relationship of Polish society to the Catholic church, and especially the recent Polish past during the Second World War. A dystopian worldview, although not so much a pessimistic one – as they say themselves – may certainly be attributed to their work, along with an undisguised interest in the “dark” side of human beings.  Anka and Wilhelm Sasnal are no strangers to the festival audience in Linz, as they have already been represented in the festival program twice in the past. In 2012, they won the main prize with It Looks Pretty from a Distance, which premiered in Rotterdam, and then returned with Parasite in 2014.

// Films at CROSSING EUROPE Film Festival 2017

// Co-directed films: Słońce, to słońce mnie oślepiło (The Sun, the Sun Blinded Me, 2016), Huba (Parasite, 2014; CE’14), Aleksander (2013, doc), Z daleka widok jest piękny (It Looks Pretty from a Distance, 2011; CE’12), Świniopas (Swineherd, 2008)  // Films by Wilhelm Sasnal: Afternoon of a Faun (2015, short), Columbus (2014, short), Inhuman Hunger (2014, short), Kacper (2010, short), Europa (2007, short), Brazil (2005, short), Marfa (2005, short)
Tribute 2017
Anka Sasnal, Wilhelm Sasnal
Polen / USA 2013
58 Minuten
Drehbuch Anka Sasnal, Wilhelm Sasnal
Kamera Wilhelm Sasnal
Schnitt Beata Walentowska
Ton/Sounddesign Igor Kłaczyński, Jan Rey
Mit Aleksander Piotrowski, Stefania Piotrowska, Paweł Piotrowski music
Produzent*innen Anka Sasnal, Wilhelm Sasnal (PL), Anton Kern Gallery (US)
Anton Kern Gallery 16 East 55th Street New York, NY 10022, USA
+++ Freitext Start +++
Weltpremiere / World Premiere
CPH:DOX 2013

Premierenstatus / Premiere Status
Austrian Premiere
+++ Freitext Ende +++