Afternoon of a Faun

 
Afternoon of a Faun, Nijinskys berühmtes Ballett zur Musik Claude Debussys, ist ein Porträt der Tochter der Sasnals: Das kleine Mädchen vertreibt sich zur Synthesizermusik den Nachmittag. Sie, der weibliche Faun, der eher einem Waldgeist gleicht, dominiert das Bild, weiß um die Kamera und ihre Wirkung und spielt damit. Dazwischen präsentiert sie, ganz in struktureller Manier, ein Blatt Papier mit der jeweiligen Zeitangabe. Die Nacht bricht schließlich herein, das Papier verbrennt, die Asche glost, das Mädchen schläft ermattet ein und hat vielleicht alles nur geträumt. (Claudia Slanar)

Afternoon of a Faun, Nijinsky’s famous ballet set to the music of Claude Debussy, is a portrait of the Sasnals’ daughter: Accompanied by synthesizer music, the little girl spends the afternoon. She, the female faun that is more like a forest spirit, dominates the picture, knowing about the camera and its effect and playing with it. In between, wholly in a structural manner, she presents a piece of paper showing the current time. Finally, night comes, the paper burns, the ashes glow, and the little girl falls asleep exhausted. And maybe she only dreamed it all. (Claudia Slanar)

Director's Biography
ANKA SASNAL, born in 1973 in Tarnów in Poland, studied Polish literature and gender studies. As a screenwriter, editor, and filmmaker, she lives in Kraków together with Wilhelm Sasnal, who was also born in Tarnów in 1972 and studied architecture and painting.  WILHELM SASNAL attracted international attention as a visual artist with a series of solo and group exhibitions in renowned international galleries and art institutions with paintings, comic books, drawings, photographs, and videos. From the first joint film project onwards, significant characteristics of their artistic collaboration are already visible: the intensive focus on language, texts, and literary models, which they transform into an image language that suits them. An explicit political stance can be noted in their films – thematically Anka and Wilhelm Sasnal circle around the current state of Polish society, rising xenophobia, the relationship of Polish society to the Catholic church, and especially the recent Polish past during the Second World War. A dystopian worldview, although not so much a pessimistic one – as they say themselves – may certainly be attributed to their work, along with an undisguised interest in the “dark” side of human beings.  Anka and Wilhelm Sasnal are no strangers to the festival audience in Linz, as they have already been represented in the festival program twice in the past. In 2012, they won the main prize with It Looks Pretty from a Distance, which premiered in Rotterdam, and then returned with Parasite in 2014.

// Films at CROSSING EUROPE Film Festival 2017

// Co-directed films: Słońce, to słońce mnie oślepiło (The Sun, the Sun Blinded Me, 2016), Huba (Parasite, 2014; CE’14), Aleksander (2013, doc), Z daleka widok jest piękny (It Looks Pretty from a Distance, 2011; CE’12), Świniopas (Swineherd, 2008)

// Films by Wilhelm Sasnal: Afternoon of a Faun (2015, short), Columbus (2014, short), Inhuman Hunger (2014, short), Kacper (2010, short), Europa (2007, short), Brazil (2005, short), Marfa (2005, short)
Tribute 2017
Wilhelm Sasnal
Polen 2015
color
5 Minuten
OmeU
Drehbuch Wilhelm Sasnal
Kamera Wilhelm Sasnal
Schnitt Wilhelm Sasnal
Mit Rita Sasnal
Weltpremiere
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Premierenstatus / Premiere Status
Austrian Premiere

Gemeinsam mit / Together with
INHUMAN HUNGER
KACPER
COLUMBUS
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